Click here for Altrok 90.5 HD2
Get the app for your iPhone and iPod Touch.
Now bringing Modern Rock to the Jersey Shore, at 90.5 HD2



 

There's more ads down here, and they help support us so, y'know, check 'em out...

Sunday, March 02, 2008

The Melody is Where the Heart Is

So we had our second annual Old School Melody Reunion on Saturday, February 16. While the last one was held way up north at the Loop Lounge in Passaic Park (thanks, Pat Pierson!), this one was a lot closer to home, right on Livingston Avenue in New Brunswick. And while I realize there is always a certain fear when you throw a party that no one will come (esp. in a risky weather month like February), both the weather and nostalgia gods did smile on us that night, and we had yet another packed house. And this time, we had the extra-added bonus of Matt Pinfield. Matt was so funny. . .after missing the last two parties (we did sneak an all-ages soiree into September at the Court Tavern), he did everything in his power to ensure he did NOT miss this one, including booking a room at the Hyatt the night before to make sure he would, indeed, be in town!

As others have already noted, the buzz at this reunion was palpable. It was practically crackling in the air. And as a person who's attended all three parties to date, I can tell you they just don't get old. First of all, the DJs are as energetic about their duties as they ever were. Ed Wong was practically bouncing off the walls with excitement, and he trucked all the way from Philly to be here. Sean Carolan was beaming from ear to ear, and with good reason since he is a key driver behind these things (and is trying very hard to keep it going with his monthly--for now--Running With Scissors nights at the Court). And of course, the aforementioned Mr. Pinfield, who, by the way, was looking fitter and sharper than I'd ever seen him, was having a blast greeting his peeps and generally schmoozing the room as the implied guest of honor until he took over the tables at 10PM.

You can see the playlist elsewhere on Altrok.com, and although I have been listening to many of these songs and artists in the years since the Mel shut down/I moved away, hearing many of them in this context brings back to mind long-ago scenes from THOSE days. I think my favorite memories of the Melody/Roxy scene were from 1985-6, before I was 21. If you showed up at the Mel before 10PM, you wouldn't get carded. Needless to say, I had no problem showing up early. Not only could I get in, but I could also find a close parking space if I got there early. And boy do I remember getting hammered. My friend Pete and I would order pitchers of Red Deaths all night and pretty much close the place. Fueled by booze, we'd practically never leave the dance floor, as Matt and the gang spun tunes from our favorite New Wave, Early Alternative, and Industrial bands like The Cure, New Order, Ministry, Depeche Mode, Echo and the Bunnymen, Stone Roses, etc. etc. On Sunday and Wednesday nights, the only place to be was the Melody.

The Melody was probably the most unique nightclub I've ever frequented, and here's why. See if you can add to the list:

  • sheet music as wallpaper in the bathrooms
  • again, Matt Pinfield
  • the ever-changing art on the walls downstairs
  • ripping it up on the postage stamp-sized dance floor, All. Night. Long. (doesn't anybody dance anymore?)
  • oh, the cocktails!
  • the clubby Village vibe without the haul to Manhattan
  • the crowd's edgy style (I used to even spike my hair a bit, but only on the top, so it looked really silly because I had the rest of it french-braided; never had the nerve to cut it all short)
  • Greasy Tony's at 3:15AM
  • seeing Dramarama live in the "attic" room upstairs, as well as others: Kiaro Skuro, Bigger Thomas, Bouncing Souls. . .

Fortunately, we DO still have some places and bands dating from that prime-time in our young lives that still exist today, and I am very thankful for them:

  • The legendary Stone Pony
  • The Court Tavern (how on earth this place survived the wrecking ball I don't know, but they are now building condos up and around it, yet it's still there. . .go Court!!!)
  • The Count Basie Theatre
  • Vintage Vinyl
  • The Garden (need I write its full name?)
  • Bruce
  • 90.5 The Night, a great little public radio station that's risen like a phoenix from the ashes of FM-106.3, boasting many of the same DJs that made that station what it was, right down to Loretta Windas on weekends
  • Everlounge, which has done the same thing and is essentially half of the Whirling Dervishes (who, by the way, are BACK and will be playing Asbury Park's Wave Gathering festival this spring!)
  • Naturally, I've saved the best for last. . .WE STILL HAVE DRAMARAMA!!

And now, we have these great reunion parties. Essentially, the only difference is that many of us are now wearing wedding rings and the party starts a little earlier. In fact, one of the DJs remarked, "This was supposed to be a 35-and-over event. NOT ONE of the women in here is over 35!!" I have to say, I agree. The women looked fabulous! See the pix on PhotoBucket for evidence of this. And by the way, guys. . .you were looking pretty good yourselves. It's gotta be the dancing; keeps ya young!! (Either that, or alcohol really does act as a preservative!)

Sure, we don't have our place any longer, but we still have our music, we still have each other, and if it's any indication from having attended all three of our post-demolition soirees to date, we still have the same joie-de-vivre we ever did. And if home is where the heart is, the same certainly applies here. The Melody Bar wasn't just a place: it was a spirit. And the crowd keeps proving over and over that we still have that in spades. Just then it hit me: I was in the Melody Bar. . .again!!

Labels: , ,

Tuesday, March 20, 2007

Still Basking in the Afterglow

It's been over a month since our glorious Melody Bar reunion event. I want to thank everyone who has uploaded photos to the Melody reunion photobucket account. Unfortunately, someone has deleted a few photos, so before mischief makes mayhem, I have closed the account for further uploading or editing. But fear not, the album is still fully viewable and here's the link http://s169.photobucket.com/albums/u236/melodyreunion/

Just go there and you can see all the uploads.

Hell Is Now Officially Cold

The very first Altrok article I wrote discussed the wave of TV ads that used authentic alternative music, everything from Iggy Pop to the Buzzcocks. That was back in 2002. Since then many more ads have done the same and from time to time I have mentioned them over the years. I've recently noticed two more. A current Cadillac commercial plays the Jam's Start, which improves on Zep's Roll 'n Roll in my book. And the PGA played the Stone Roses as it's exit-to-commercial music just a few weeks ago. It's time to declare victory over something and call it a day.

Chuck E Cheese Hung Out at the Melody!

The other day my youngest son had his fourth birthday party at Chuck-E-Cheese. My boys have had several birthday parties there, which makes life very easy for my wife. There's no set up, no clean up, and all the food and fun are provided in the cost. I enjoy it too, as I get to play a few video games and watch my boys have a lot of fun.

In every Chuck E Cheese there's a stage area with tv screen's that continually show videos of various young dancers rocking out to a Chuck E Cheese song. I was amused to hear one of the tunes they were dancing to was Ministry's "Halloween". I laughed out loud and no one had any idea why. Typical. Chuck, you ROCK.

Labels:

Thursday, February 15, 2007

Pierson Blog: The Melody Reunion & Life Itself

(Side note: if ya wanna read about The Melody reunion at The Loop Lounge, scroll down to the bottom half)

LIFE AND LIFE ONLY (FRAGMENTS)

There's a lotta shit to write about and I've been Mr. Neglect.

Can't say that there's a lot of music to gabba gabba about. The Police played "Roxanne" at The Grammys and I shut my T.V. off.

SNOW ("and other sentimental crap...")

The big deal is all the snow they got up north of Syracuse, New York these past two weeks. Over 100 inches. Kinda nuts. It reminds me of my one and only trek up to that neck of the woods during such treacherous times in the winter of 1981. My friend Mike Lively picked me up at the Watertown bus station. It was one of the most insane personal mindfuks of all-time: Eight-plus hours on a Greyhound taking me back to a very familiar and beloved place, BUT finally with all the SNOW god could deliver. When we got out to Mike's house on the banks of Chaumont Bay ('twas mid-February) there was probably 4 feet of snow on the ground along with these thin walkways shoveled out as pathways towards the house... Wild shit...

That whole week I spent up there was one of those trademark growing up experiences. Mike was/is three years older than I, and we were both in the midst of the post-punk (& power pop) luvfest that held the disconnected UNDERGROUND together. We had no idea. I really thought everyone was tuning in to "Hollywood Heartbeat," "Rock World" and HBO's "Video Jukebox" and discarding the metal.

For the trip, I brought up a Beatles BBC bootleg ("Beatles Broadcasts") with "Soldier Of Love" ('cause The Flashcubes had covered it) and Phil Seymour's solo debut. At Mike's I taped a lot of Ramones and Supremes along with some other choice goodies: Raspberries, Dwight Twilley Band, Bay City Rollers, Artful Dodger, Records, XTC, Split Enz, Only Ones, The Police, and Vapors.

Feb '07: New Jersey finally got a smattering of ice and snow, but my guts are yearning to seek out the mountaineasque snowbanks of upstate New York. I dug out the old Maxell cassettes to keep the car warm. Mike Lively's cat's still skipped "Do You Remember Rock & Roll Radio" (walking on top of the turntable!) while Dwight Twilley's "You Were So Warm" knocked me out all over again. The Cars' "Panorama" is still an odd record.

"I believe in life and I believe in love but the world in which I live in keeps trying to prove me wrong..."

Late January got me started on the old tape excavation deal 'cause I still have a functioning tape deck in the car and Paul Weller was playing NYC. Spirited idea was to throw the old cut-tape in en route to the city. Which I did, once I got approval from compadre Fran Azzarto. (One should always ask permission before playing said artist amongst company with only hours before set time; it could sour someone's zen.)

In our case it was a fun tale. Fran waxed on about his earliest "band" days when trying to learn most of The Jam's "Sound Affects." Both of us were still as excited about what "Sound Affects" is, as we were when it changed our lives. Sadly, Paul Weller seems to have let that part of his life go to the wayside, while he plunders an MOR-ish path of sturdy blue-eyed soul. We caught the last night of Weller's three-night stand at Irving Plaza. The first night (which was "bandied about" as a Jam-only night) only saw PW do nine tunes from the catalog whilst the rest was scattershot. Our night was snoresville with only three Jam tunes in the count; granted they were good ones: "Butterfly Collector," "Thick As Thieves" and "Town Called Malice." Still, I got more of a rush during our pre-show pints at the pub around the corner where a room packed full of aging mods/Jam fans buzzed with "My Ever Changing Moods" blasting as Fran and I made our way to the bar fresh from air-drumming "Set The House Ablaze." Switch.

A WINTER'S TALE (aka A MIDWINTER NIGHT'S ICE CREAM)

Between the new work schedule, a radio-less Radio Boy, and trying to get 10cc's "Sacro Iliac" out of my head, I've been eschew with thoughts and the like.

I watched TCM's prime time pick for Valentine's Day, "Breakfast At Tiffany's" (I still hate the fact that they overdubbed Buddy Ebsen's lines) and promptly fell asleep only to awake three hours later, still trying to figure a way to tell everyone about what's going on at The Loop Lounge this Saturday Night.

Another run out in the freezing frigid leftover mess of our storm to get some Ben & Jerry's and some fresh coffee did the trick, lighting the needed fire to connect these dots and send this damn blog on its way.

ABOUT A BAR

I don't know all the specifics about The Melody besides the fact that it shut down the first week of April in 2001. It was during that April I was scheduled to finally DJ there for the first time; overdue as it seemed.

Jim Dunlap had kept the old fires lit with his Tuesday night "Save The Wave" gig stretching from the 20th into the 21st century without flinching. The ghost of Matt Pinfield was still there whenever certain tunes fell into place and the dance floor appeased. Still, I (we) all missed Matt and the glory days of "The Mel" circa 1990. For us realists, fate was certain. We knew we couldn't kiss it for the first time ever again. But we always wanted to go back. And we all have some amazing memories of the place.

HIS ROYAL PINSTER

I first met Matt while I was still in high school. Pinfield was the star attraction on WRSU and I tuned in religiously. I forget when I finally decided to call-in and say hey. I'm sure it was motivated by my attempts to get my friends Screen Test heard by hip people.

Somewhere in 1982, Pinfield invited me down to Patrix to check out his "band" Opium Vala. My 50-minute virgin-pilgrimage to New Brunswick, almost saw my 17-year-old ass turned away at the door until this balding chap said who he was and got me in.

The set was a blistering set of punk classics mixed with amazing '60s pop and other obscurities. I completely remember them tearing "Do Anything You Wanna Do" apart and, of course, the nearly half-a-dozen Buzzcocks songs that made their rep. They also nailed Hot Chocolate's "Everyone's A Winner" which they had demo'd along with a bunch of gems like Grass Roots' "Wait A Million Years," Hello's "Game's Up," 1910 Fruitgum Co.'s "Indian Giver" and Simon & Garfunkel's "Hazy Shade Of Winter."

I haven't seen Matt this century. He was working as an A&R guy (Sony) but was let go recently only to end up back on TV on VH1. He's also kept his profile on radio via Sirius. Last time we were in the same place was at The Budapest in New Brunswick for The Wonder Stuff's Miles Hunt and Malc Treece's acoustic set in 1998 (I think).

FUNNY HOW TIME FLIES

Certain things never dull with time and some people grow sharper with age, as do the best memories. The Melody is definitely one of those places where magic in a bottle was captured. A scene. For those who were there, it was an amazing time to be alive.

The people made it, obviously. But truth be told, it wasn't the place where I made such deep everlasting bonds. I just remember it as the best dance club that ever existed. (There were other notable clubs: The Roxy, Aldo's and of course, The Loop Lounge.)

What made it amazing was the fact that such an Anglo-centric scene was profitable in central Jersey from 1986 to 1992. On paper, those years really seem like the worst years for music where nary a decent band with guitars existed (or at least sold a lot of records). The bands who made up the crux of The Melody's musical oeuvre (or at least Pinfield's world) were what a lot of people would label "synth-pop" bands, but for those of us who know better, it wasn't so easily categorized.

Bands like New Order, The Cure, The Smiths, Depeche Mode, Echo & The Bunnymen, B.A.D., and Siouxsie & The Banshees (to name a few) had a lot more depth beyond remixes and make-up. And these days, they heavily outweigh what is deemed '80s music; especially the crap MTV played during those years.

The Melody never played any of the crappy hits from MTV; it was as if their playlist had exclusive radar against junk like Real Life, Re-Flex, Information Society, Corey Hart, Falco, Billy Idol, and bad Duran Duran. Pinfield did play a good amount of goth and industrial but never let it take over in any way. It was done right. 'Tis the secret of Matt and why The Melody ruled.

THE DEVIL WILL FIND WORK FOR IDLE HANDS TO DO

(...and here's the bit about the Melody Reunion at The Loop Lounge.)

It's been a long time coming and thank god Frank Gibson (Stiffy Biceptz) stayed in touch with so many people and has kept tabs on Sir Pinfield.

When Frank asked me about a good place to stage this party, I thought of a couple of places, AND obviously having it closer to New Brunswick would've been nice. But reality is reality. And I KNEW the Loop Lounge was the best natural place to have this party. I'm glad he took the advice. I'm glad Loop owner, Bruce Ciccone, was cool with it.

The Loop Lounge is the only remaining club in New Jersey that has kept the aesthetic which it originally set in place 20 years ago along with The Melody, The Roxy, and Aldo's. Of course, each club had/has it's own identity, but the idea of an alternative dance club was brought into existence by these places. Without them all you'd have is sports bars and lame discos.

The party starts at 5pm on Saturday, February 17th and goes until 11pm when The Loop's "regular" Saturday night takes over. It's a marriage made in heaven. Saturday night is Ted Wrigley's night at The Loop which is really the only night in NJ that does the memory of such '80s music justice.

Matt will be spinning most of the party along with a bunch of old Melody DJs. I will be doing the DJ honors from approximately 10:45pm-11:30. Passing the torch, so to speak. It's an honor I ain't taking lightly. See ya there.

"I could go on for hours and I probably will... But I'd sooner put some joy back into this town (world) called malice."

-Pat Pierson (2.15.07)

DJ Pat Pierson schedule
  • Thursday, Feb 15th: THE LOOP LOUNGE (front bar w/ Ike, no cover, $2 PBRs) 10pm
  • Friday, Feb 16th: THE LOOP LOUNGE (front bar w/ live music in back room: The Milwaukees) 10pm
  • Saturday, Feb 17th: THE LOOP LOUNGE "Melody Reunion" party 5pm-11pm (my set follows the party approx: 10:45pm-11:30pm)
for more info check:
www.thelooplounge.com
www.myspace.com/thelooplounge.com
www.myspace.com/djpatpierson
www.altrok.com

Labels: , ,

 
Please Look At Our Advertisers (Or The Website Gets It)
Congratulations, you've found the hidden text.
 
Welcome to Altrok.com, also available at AltrokRadio.com and AltrockRadio.com. Here's where the remaining listeners of several fine radio stations have retreated, regrouped, and built a replacement strong enough to stand on its own. It builds on the independent legacy of New Jersey's FM106.3, New York's WPIX and WLIR, Oklahoma's 105.3 The Spy, the pre-buyout mindset of KROQ, WBCN and WHFS and of every other alternative station that was destroyed at a moment's notice - not because they weren't making money, but because there was bigger money to be found elsewhere.
 
We've stood by as truly independent alternative rock radio died. Sure, something called "alternative" took its place, but we know for sure that anything that "tests well" with soccer moms just ain't alternative. (Even if some of us happen to be soccer moms.) So we've taken matters into our own hands.
 
This really is independent alternative rock radio, visible here at Altrok.com and audible at our web radio station. It has the classic music that fired our passions back in the day - or that we maybe only heard about from our elders - but it's mostly made of the new music that does precisely the same for us now. We're paying attention to scenes all over the world, watching the energy build, and waiting to see what it creates. Wherever it happens, we'll make sure you can hear about it here. We've been slowly building all this since 2001, and now that you've noticed us, we're glad you're here.
 
Of course, it's only here because you want it to be here, and it can only stay if you help it along - especially by checking out our advertisers (they support us) and by listening (the more that listen, the more visible we are.) Please use the "feedback" link above to let us know whether it works for you, and what you want it to be as the future unfolds. (And if you need help hearing it, let us know that, too.)