for June 23, 2005
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for today's rant...
[Inscrutable Links: John Peel Says "Hi". FM106.3 Staff List. FM106.3's 1988 playlist.]
Yours, Mine And Ours
by Bill Stella
Sleater-Kinney – What's Mine Is Yours
It's hardest for me to talk about albums I think are the cream of the crop. My need to express how excited I am about them plays havoc with my judgement. I become verbally bipolar, veering between spewing hyper-exasperated barrages of superlatives and steady intellectualized descriptions which attempt to convey the album's Importance – kinda like this sentence. Can I integrate the two tendencies? Who knows. Here goes:
"The Woods" is a visionary set of rock and roll. It is the three decades of anticipation and delayed gratification following the brilliance of Television's "Marquee Moon". It's the punk & new wave & grunge & indie rock & bloody arena rock album I've long wished someone would reach for by pulling together 30 years of splintered rock-streams. It's the impossible Led Zeppelin album of the moment, as if Page, Plant and Bonham became reincarnated, but as very different people who retained a sense of what they were after when they were The New Yardbirds. It's a near-extinct dinosaur egg hatched in the present which prevents the demise of heavy rock-as-effin'-ART by choosing to forge the next evolutionary path, growing in self-determined and current-environment adapted directions. And still, it retains the light-hearted buzzy joy which hard rock had at its best.
"What's Mine Is Yours" is / will be famous for its guitar solo: Single-note guitar lines have snaked over the conspiring-together song from its start, but suddenly the "song" stops. More to the point, the rest of the band drops out, a compressed feedback-laden unaccompanied and altogether beautiful noise takes the entire stage, resetting the track in a contrasting feel. The band re-enters, not so much tentatively as supportively, stomping its wide-spread-and-crouching legs, behind the guitar-brandishing witch-doctor who has claimed center-stage and is banishing evil itself. (I told you I'd get inspired / over-excited: but great music works on me like hallucinogens. Not so, you?)
Don't let anything I wrote PREVENT you from going to see them! Sleater-Kinney plays The Roseland Ballroom in NYC, Thursday, June 23 and The Trocadero in Philadelphia, Friday, June 24, 2005. That's TODAY and TOMORROW in some time zones. I dunno how much the general public will concur with my belief in the high value of Sleater-Kinney, but the shows ain't sold out. If you're reading this and can possibly make it, join me in NYC. Show them some love and appreciation for making such tremendous strides a decade into their career.
©2005 Bill Stella
All material ©2001-2014 Sean Carolan, except as noted.
Today's NY/NJ Shows That Matter
Thursday, October 17, 2019
A Tribute To The Beatles’ White Album ft Christopher Cross, Todd Rundgren, Micky Dolenz, Jason Scheff (of Chicago) and Joey Molland (of Badfinger) at Count Basie Center For The Arts
Noah Gundersen at Music Hall Of Williamsburg, Bklyn
Vivian Girls at Warsaw, Bklyn
Mark Mulcahy at Boot & Saddle, Philly
Shannon & The Clams at Bell House, Bklyn
The Fleshtones at Bowery Electric
Captain Cream and The Forest Fires at Asbury Park Yacht Club
Richard Lloyd, The Ribeye Brothers and San Tropez at The Saint
More NY/NJ Shows That Matter
ALTROK recommends music once a week; here's our most recent choices. Most links will take you to a place where you can buy the music; if there's no link, and you own a record company, consider releasing it yourself...
A Place To Bury Strangers - It Is Nothing
The Boxer Rebellion - Semi-Automatic
The Cribs - Cheat On Me
Datarock - True Stories
Everything Everything - Photoshop Handsome
HEALTH - Die Slow
Miles Hunt and Erica Nockalls - Catching More Than We Miss
Julian Plenti - Games For Days
Los Campesinos - The Sea Is A Good Place To Think Of The Future (Free download!)
Miike Snow - Black & Blue
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